Nov 2019
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2019 Film Reviews – 64: Toy Story 4 [dir. Josh Cooley; 2019]
The teams behind the Toy Story films have always displayed a commendable talent for telling relatively simple, focussed stories with terrific attention to detail, neat characterisation and an insistence on intelligent, convincing plotting. However, I’d argue that this precision-led approach has resulted in sequels that have been satisfying, but haven’t quite managed to linger in… Continue reading
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2019 Film Reviews – 63: Official Secrets [dir. Gavin Hood; 2019]
It may not be remarkable in terms of cinematic flair or technical originality, but the story it tells makes Official Secrets worthy of your attention. Focussing on Katharine Gun’s decision to expose the UK intelligence agencies’ dubious dealings in the run-up to the 2003 Iraq War, it offers a carefully-delineated picture of how the story… Continue reading
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2019 Film Reviews – 62: The Laundromat [dir. Steven Soderbergh; 2019]
What a curious little film. First, Antonio Banderas and Gary Oldman appear – playing two lawyers at the centre of 2016’s Panama Papers scandal – and proceed to give us a direct-to-camera lesson in the development of the barter system and the creation of money. Then Meryl Streep pops up, trying to navigate the treacherous… Continue reading
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2019 Film Reviews – 61: The Irishman [dir. Martin Scorsese; 2019]
Several critics have declared The Irishman to be Martin Scorsese’s finest film of the last decade, and whilst I agree that it is superb, I think I’d qualify the praise slightly by saying that it’s probably his most fan-pleasing film of recent years. This epic – but never baggy – story of a low-grade criminal… Continue reading
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2019 Film Reviews – 60: Booksmart [dir. Olivia Wilde; 2019]
Despite its (appropriate?) crudeness, there’s a real charm running all the way through Booksmart — a frenetic account of two American girls deciding, on the eve of their high school graduation, that they have to indulge in at least one night of partying, rule-breaking and all-round debauchery. As they try to fulfil this ambition, they… Continue reading
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2019 Film Reviews – 59: By The Grace Of God [dir. Francois Ozon; 2018]
There is a great deal to admire in François Ozon’s level-headed presentation of a real, recent case which saw the Diocese Of Lyon having to address several instances of historic child abuse. But I suppose one of the main aspects of the film that struck me was the skill with which the director showed disparate,… Continue reading
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2019 Film Reviews – 58: Monos [dir. Alejandro Landes; 2019]
The worlds of Apocalypse Now and Lord Of The Flies bleed into each other in dizzying, brain-pummelling fashion in Monos: an elliptical, immaculately-performed tale of child soldiers looking after an American hostage in an unnamed South American country. As he moves the action from mountains to jungle – and his young protagonists shed more and… Continue reading
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2019 Film Reviews – 57: Joker [dir. Todd Phillips; 2019]
There is an almost palpable truth at the core of Joaquin Phoenix’s detailed, jittery, utterly mesmeric central performance in Joker — an account of the ‘birth’ of Batman’s arch-nemesis, set in a New York heavily influenced by Scorsese’s Taxi Driver and King Of Comedy. Refusing to fall into any potential genre traps, Phoenix plays the… Continue reading
About Me
I am a writer and award-winning perfume critic currently living in the south of England and working on a novel. For my perfume-related writing, please visit Persolaise.com.
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