He wonders about the ways in which people can be made to feel unworthy. The first thing he thinks is that he doesn’t like that word: unworthy. It doesn’t really seem to capture the core of the feeling he’s trying to explore. Would ‘non-worthy’ be better? Or ‘non-worthwhile’? What he’s trying to get at is a sense of a lack of value. Valuelessness. But in … Continue reading Voice
He sits on the edge of the bath, biting his lower lip, hard. They mustn’t hear him crying. His hands grip the bath tub tight, knuckles pushing through the skin.
He tries to think about nothing but the force of his grip. On the bath tub. The coolness beneath his hands. His eyes squeezed shut, pushing the tears out. Liquid streaming down his face. A few drops falling onto his legs. But no sound. Not a single sound emerging from his mouth. His wide open, silent mouth.Continue reading “Seated”
The year ends, and so does my little film review project. It started with a pope so perhaps it’s appropriate that it finished with two. Many thanks to those of you who took the time to read these little scribblings. Below I’ve put together a list of my favourite movies of the year. As I watched 71 in total (the lowest number for the last … Continue reading My Favourite Films Of 2019 + The End Of The Reviews
If theatre is better at exploring ideas than film is, perhaps that’s why The Two Popes feels as though it would have been slightly more comfortable at The National. Or maybe it’s because it consists of little more than conversations between Pope Benedict and the soon-to-be Pope Francis as they wrestle with their differing views on the role of the Catholic Church. But it would … Continue reading 2019 Film Reviews – 71: The Two Popes [dir. Fernando Mereilles; 2019]
Towards the end of this latest, mildly indie-flavoured adaptation of Little Women, Amy berates Jo for always pointing out the former’s flaws rather than appreciating her strengths. With that in mind, I ought to state that Gerwig’s take on the 19th century classic is handsomely-staged, warmly played and mostly engaging — there’s a generous, affectionate Ang Lee-esque, Sense & Sensibility glow over all the characters … Continue reading 2019 Film Reviews – 70: Little Women [dir. Greta Gerwig; 2019]
It is a stain on our collective conscience that there is still a need for us to tell stories about the current migrant crisis. So large is the problem that it has almost become the stuff of ‘news wallpaper’. So perhaps Mati Diop intended to jolt us out of complacency with her decision to approach the issue in an unusual way: by examining it through … Continue reading 2019 Film Reviews – 69: Atlantics [dir. Mati Diop; 2019]
I’d like to update this blog more frequently. Truly, I would. And yes, it’s often time (ie a lack of it) that prevents me from putting finger to keyboard. But it’s also a certain resistance. An unwillingness to be what I suspect would be cruel. I don’t understand the (modern?) need to share the details of one’s woes and insecurities and anxieties to all and … Continue reading Cruel