The Mauritanian, Promising Young Woman, Sound Of Metal and others – Screen Time April 2021

How to be good? This was the question that seemed to tie together most, if not all, of April’s film viewing. From the sun-saturated capers of Hitchcock’s To Catch A Thief (great fun, but certainly one of the master’s less memorable efforts) to the pulse-quickening horrors of Bryan Fogel’s The Dissident (an important piece of work, to be sure, but why do such documentaries have … Continue reading The Mauritanian, Promising Young Woman, Sound Of Metal and others – Screen Time April 2021

Tina, Ammonite, Midnight Cowboy and others – Screen Time March 2021

Through no conscious planning, March turned out to be a time for extraordinary women, at least as far as film-viewing was concerned. The month’s first movie – Pieces Of A Woman (dir. Kornel Mundruczo) – certainly didn’t shy away from placing the female experience at the centre of its focus, but it was a tediously unconvincing affair, with one of the most laughable childbirth sequences of recent years. The female with whom I watched it doubted whether anyone involved in the production had ever stepped inside a delivery room. 

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News Of The World, I Care A Lot, Mank and others – Screen Time February 2021

Looking back at the list of films I managed to notch up in February, I’m struck by how many of them veered towards the bizarre. For instance, there was The Prom, Ryan Murphy’s colourful film version of the Broadway musical about celebrity types injecting an acceptance of diversity into small-town America. The shopping-mall-set rendition of the Bible-basher-bashing Love Thy Neighbour (“There’s no way to separate / Which rules you can violate / Let’s hope you don’t masturbate”) certainly scored high on the weirdness meter. But it was several notches below the outright bonkers-ness of Barb And Star Go To Vista Del Mark (Josh Greenbaum) which featured, amongst many other surprises, a talking crab, friendly sea spirits and the sight of Jamie Dornan delivering a (convincing!) Eurovision-style song-and-dance number containing the immortal lyrics, “Seagulls in the sand, can you hear my prayer?” Dornan was perhaps the best thing in this ludicrously enjoyable romp, striking just the right balance between straight and silly.

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Le Mans ’66, The White Tiger, Assassins and others – Screen Time January 2021

Seven films in one month is quite a poor achievement for me, and as I type these words, I’m trying to work out why I didn’t treat myself to more in-house cinematic outings. But the reasons aren’t forthcoming. Was it all to do with the extra-grey, Covid-enhanced January malaise by which so many of us seemed to be dragged down? Or was I just a bit too busy with writing commitments? I feel certain that, had we been in the ‘normal world’ (what does that even mean any more?) I would have managed to go to the cinema on more than seven occasions, but in the all-pervading spirit of counting our blessings, I suppose I ought to declare that seven is better than none.

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